Friday, May 31, 2024

BMM 31 - Modern Major General

I am the very model of a modern Major-General
I've information vegetable, animal, and mineral
I know the kings of England and I quote the fights historical
From Marathon to Waterloo in order categorical
 

I'm very well acquainted, too, with matters mathematical
I understand equations, both the simple and quadratical
About binomial theorem I am teeming with a lot o' news
With many cheerful facts about the square of the hypotenuse

(With many cheerful facts about the square of the hypotenuse!
With many cheerful facts about the square of the hypotenuse!
With many cheerful facts about the square of the hypoten-potenuse!)
 

I'm very good at integral and differential calculus
I know the scientific names of beings animalculous
In short, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-General

(In short, in matters vegetable, animal, and mineral,
He is the very model of a modern Major-General!)

I know our mythic history, King Arthur's and Sir Caradoc's
I answer hard acrostics, I've a pretty taste for paradox
I quote in elegiacs all the crimes of Heliogabalus
In conics I can floor peculiarities parabolous
 

I can tell undoubted Raphaels from Gerard Dows and Zoffanies
I know the croaking chorus from the Frogs of Aristophanes
Then I can hum a fugue of which I've heard the music's din afore
And whistle all the airs from that infernal nonsense Pinafore
 

(And whistle all the airs from that infernal nonsense Pinafore
And whistle all the airs from that infernal nonsense Pinafore
And whistle all the airs from that infernal nonsense Pina-Pinafore!)
 

Then I can write a washing bill in Babylonic cuneiform
And tell you ev'ry detail of Caractacus's uniform
In short, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-General
 

(In short, in matters vegetable, animal, and mineral,
He is the very model of a modern Major-General!)
 

In fact, when I know what is meant by "mamelon" and "ravelin,"
When I can tell at sight a Mauser rifle from a javelin,
When such affairs as sorties and surprises I'm more wary at,
And when I know precisely what is meant by "commissariat,"
 

When I have learnt what progress has been made in modern gunnery,
When I know more of tactics than a novice in a nunnery,
In short, when I've a smattering of elemental strategy,
You'll say a better Major-General has never sat a gee!
 

(You'll say a better Major-General has never sat a gee!
You'll say a better Major-General has never sat a gee!
You'll say a better Major-General has never sat a, sat a gee!)

For my military knowledge, though I'm plucky and adventury,
Has only been brought down to the beginning of the century
But still, in matters vegetable, animal, and mineral,
I am the very model of a modern Major-General
 

(In short, in matters vegetable, animal, and mineral,
He is the very model of a modern Major-General!)
 

From Wikipedia: "I Am the Very Model of a Modern Major-General" (often referred to as the "Major-General's Song" or "Modern Major-General's Song") is a patter song from Gilbert and Sullivan's 1879 comic opera, The Pirates of Penzance. It has been called the most famous Gilbert and Sullivan patter song. Sung by Major-General Stanley at his first entrance, towards the end of Act I, the character introduces himself by presenting his resumé and admitting to a few shortcomings. The song satirizes the idea of the "modern" educated British Army officer of the latter 19th century. 

The song is replete with historical and cultural references, in which the Major-General describes his impressive and well-rounded education in non-military matters, but he says that his military knowledge has "only been brought down to the beginning of the century." The stage directions in the libretto state that at the end of each verse the Major-General is "bothered for a rhyme." Interpolated business occurs here, and in each case he finds a rhyme and finishes the verse with a flourish.

The piece is difficult to perform because of the fast pace and tongue-twisting nature of the lyrics.

My own thoughts: No doubt everyone's familiar with this song if not the entire musical. That one song where they sing as much as they can as fast as they can, and you get a little tired just listening to the whole thing and you can only imagine how much those poor, brave tongues must go through. 

But it's sure good for a laugh! 

Among the countless parodies out there, I tried my hand at one myself long, long ago (the year 2011, to be precise): Modern Major Mary Sue

And that's a wrap for another Musical May! Thank you, thank you, thank you! 

Thursday, May 30, 2024

BMM 30 - Heart

 
Now, listen to me! This game of baseball is only one-half skill!
The other half is something else, something bigger!

You gotta have heart
 
All you really need is heart 
When the odds are sayin' you'll never win,
That's when the grin should start

You gotta have hope
 
Mustn't sit around and mope
Nothin's half as bad as it may appear
Wait'll next year and hope 
 
When your luck is battin' zero
Get your chin up off the floor 
Mister, you can be a hero
You can open any door
There's nothin' to it but to do it 
 
You gotta have heart 
Miles and miles and miles of heart 
Oh, it's fine to be a genius, of course
But keep that old horse before the cart 
First, you gotta have heart 
 
A great slugger we haven't got 
A great pitcher we haven't got
A great ball club we haven't got 
What've we got?
 
We've got heart 
All you really need is heart 
When the odds are sayin' you'll never win, 
That's when the grin should start 
 
We've got hope
We don't sit around and mope 
Not a solitary sob do we heave 
Mister, 'cause we've got hope 
 
We're so happy that we're hummin' 
(Hmm-hmm-hmm!) 
That's the hearty thing to do
 (Hoo-hoo-hoo!)
 'Cause we know our ship will come in 
(Hmm-hmm-hmm!) 
So, it's ten years overdue
 (Hoo-hoo-hoo!) 
 
We've got hear
tMiles and miles and miles of heart
 Oh, it's fine to be a genius, of course 
But keep that old horse before the cart 
 
So, what the heck's the use of cryin'? 
Why should we curse?
We gotta get better
'Cause we can't get worse!
 
And to add to it,
We've got heart 
We've got heart 
We've got heart
 
We're so happy that we're laughin'
(Ha-ha-ha!)
That's the hearty thing to do
(Hoo-hoo-hoo!)
So, we ain't been autographin'
(Ha-ha-ha!) 
'Cept to sign an I.O.U. 
(Hoo-hoo-hoo!)
 
We've got heart
Miles and miles and miles of heart
Oh, it's fine to be a genius, of course
But keep that old horse before the cart 
 
Who minds them pop bottles flyin'?
The hisses and boos
The team has been consistent
Yeah, we always lose 
 
But we're laughin' cause
We've got heart 
We've got heart
We've got heart 
 
Nothing on Wikipedia for this, either.
 

But this was the first song to really snag my interest when I attended my university's performance of the musical for my theater homework. The singers did a fantastic job, I absolutely loved the rhyme scheme, and I just had to look up the film version later on YouTube.
 
There was even a sing-along at the very end, so the whole audience (including yours truly) was singing, "You gotta have heart, miles and miles and miles of heart!" That was a lot of fun.
 
While I can't remember much of the performance anymore, for obvious reasons, I sure never forgot this bit.
 

And now there's only one Musical May entry left. I'm both relieved and disappointed that it's over already.

Wednesday, May 29, 2024

BMM 29 - Into the Fire

David walked into the valley
With a stone clutched in his hand

He was only a boy but he knew

Someone must take a stand

There will always be a valley
Always mountains one must scale
There will always be perilous waters
Which someone must sail
 

Into valleys
Into waters
Into jungles
Into hell
Let us ride
Let us ride home again
With a story to tell! 

Into darkness
Into danger
Into storms that rip the night
Don't give in
Don't give up
But give thanks for the glorious fight! 

You can tremble
You can fear it
But keep your fighting spirit alive, boys!
Let the shiver of it sting you
Fling into battle
Spring to your feet, boys!

Never hold back your step for a moment
Never doubt that your courage will grow
Hold your head even higher
And into the fire we go!

Are there mountains that surround us?
Are there walls that block the way?

Knock them down

Strip them back, boys

And forward

And into the fray!
 

Into terror
Into valor

Charge ahead

No, never turn

Yes, it's into the fire we fly
And the devil will burn!

Someone has to face the valley
Rush in, we have to rally
And win, boys
When the world is saying not to,
By god, you know you've got to
March on, boys!

Never hold back your step for a moment
Never doubt that your courage will grow
Hold your head even higher
And into the fire we go!

Let the lightning strike
Let the flash of it shock you
Choke your fears away
Pull as tight as a wire
Let the fever spike
Let the force of it rock you
We will have our day
Sailing into the fire!

Land, ho!

 Someone has to face the valley
Rush in, we have to rally
And win, boys
When the world is saying not to,
By god, you know you've got to
March on, boys!
 

Never hold back your step for a moment
Look alive
Oh, your courage will grow
 

Yes, it's higher and higher
And into the fire we go!
Into fire!
Onward ho! 

There's nothing on Wikipedia for this song, and I don't really know what to make of this musical. Once again, it was a random pick from the Grab Bag of Broadway Hits.


I guess this song's about as inspiring as "Do You Hear the People Sing" from Les Mis, though the glorification of fighting to the death doesn't sit too well with me. Yes, someone has to take a stand, but there's a big difference between fighting for a truly worthy cause and plunging headlong into suicide.

Even Beowulf knew (most of the time) when it was time to fight and when it was time to run for the hills.

Tuesday, May 28, 2024

BMM 28 - My Favorite Things

Raindrops on roses and whiskers on kittens
Bright copper kettles and warm woolen mittens
Brown paper packages tied up with strings
These are a few of my favorite things  

Cream-colored ponies and crisp apple strudels
Doorbells and sleigh bells and schnitzel with noodles
Wild geese that fly with the moon on their wings
These are a few of my favorite things  

Girls in white dresses with blue satin sashes
Snowflakes that stay on my nose and eyelashes
Silver-white winters that melt into springs
These are a few of my favorite things  

When the dog bites,
When the bee stings,
When I'm feeling sad,
I simply remember my favorite things
And then I don't feel so bad

From Wikipedia: "My Favorite Things" is a song from the 1959 Rodgers and Hammerstein musical, The Sound of Music. 

(All images property of their respective owners.)

In the original Broadway production, this song was introduced by Mary Martin playing Maria and Patricia Neway playing Mother Abbess. Julie Andrews, who played Maria in the 1965 film version of the musical, had previously sung it on the 1961 Christmas special for The Garry Moore Show. 

Although the song does not explicitly refer to the Christmas season, the list of favorite things includes sleigh bells, snowflakes and silver-white winters. The song has become a holiday favorite, especially on radio, ever since.

In 2004, the movie version of the song finished at number 64 on AFI's 100 Years...100 Songs survey of top tunes in American cinema. 

My own thoughts: I find this song pretty cute and catchy, though I find the "when the dog bites, when the bee stings" part a bit silly. 

What are some of your favorite things? 

Mine include spaghetti and meatballs...

French fries...

Sandwiches...


Bread by itself...


Cherry Coke and Dr. Pepper...


Ice cream...

Chocolate chip cookies...

Just about anything with chocolate... 

Berries, especially strawberries, blueberries, and blackberries...

Foods small enough to eat in a single bite...


Dogs...

Cats...

Horses...

Unicorns...



The sounds of nature, particularly birds and moving water...


Bath and Body Works fragrances...

Mario and Donkey Kong video games...


Stuffed animals...

...and cuddly pillows and blankets. 


To name just a few! 

Monday, May 27, 2024

BMM 27 - Any Dream Will Do

 
I closed my eyes
Drew back the curtain

To see for certain
What I thought I knew
Far, far away,
Someone was weeping

But the world was sleeping

Any dream will do
 
I wore my coat (I wore my coat)
With golden lining (ah-ah-ah)

Bright colors shining
Wonderful and new

And in the East (and in the East),
The dawn was breaking (ah-ah-ah)
And the world was waking
Any dream will do
 
A crash of drums
A flash of light

My golden coat
Flew out of sight

The colors faded into darkness
I was left alone
 
May I return (may I return)
To the beginning (ah-ah-ah)

The light is dimming
And the dream is, too

The world and I (the world and I)
We are still waiting (ah-ah-ah)

Still hesitating

Any dream will do
 
A crash of drums
A flash of light

My golden coat
Flew out of sight

The colors faded into darkness

I was left alone
 
May I return (may I return)
To the beginning (ah-ah-ah)
The light is dimming
And the dream is, too

The world and I (the world and I)
We are still waiting (ah-ah-ah)
Still hesitating
Any dream will do
 
Any dream will do
(Any dream, any dream, any dream)

Any dream will do
(Any dream, any dream, any dream)
Any dream will do
(Any dream, any dream, any dream)
Any dream will do...
 
 
From Wikipedia: "Any Dream Will Do" is a popular song written by Andrew Lloyd Webber and Tim Rice for the 1968 musical, Joseph and the Amazing Technicolor Dreamcoat. It is generally the beginning and the concluding song of the musical, sung by the title character of Joseph.
 
The song has been sung by numerous performers. In 1969, it was released as the B-side of the 7-inch single "We Will Rock You" by child singer Christopher. This recording was produced by by Andrew Lloyd Webber and Tim Rice, and arranged by Andrew Lloyd Webber. Max Bygraves released a popular version in 1972 which had another track from the film on the B-side "Close Every Door To Me." This may have been the most popular version released. Joe Cuddy's version was a number-one hit in Ireland in 1974. The song was voted Broadway Song of the Year in 1981, and won an Ivor Novello Award in 1991.
 

My own thoughts: It was mainly the 1991 version performed by Jason Donovan and the London Cast that caught my ear. I really enjoyed it and now I listen to it quite often, both when I'm walking to (and from) work and when I'm relaxing at home.
 

I never saw the musical, but a lot of people say the movie Joseph: King of Dreams is essentially this musical in animated form. I do like the story of Joseph from the Bible, and while the Dreamworks film isn't nearly as epic as The Prince of Egypt (granted, it was a direct-to-video made on a much lower budget), I still like it. It would have been nice to see other Bible stories told like that.
 

I would pay big, big money to see the life of Jesus Christ illustrated in PoE format. 
 

Happy New Year and 2025 Theme

 Persevereance