Thursday, May 9, 2024

BMM 9 - Seize the Day

Open the gates and seize the day
Don't be afraid and don't delay
Nothing can break us
No one can make us
Give our rights away
Arise and seize the day

Now is the time to seize the day
(Now is the time to seize the day)
Send out the call and join the fray
(
Send out the call and join the fray)
Wrongs will be righted

If we're united
Let us seize the day

Friends of the friendless, seize the day
(Friends of the friendless, seize the day)
Raise up the torch and light the way

(Raise up the torch and light the way)
Proud and defiant
We'll slay the giant
Let us seize the day

Neighbor to neighbor
Father to son

One for all
And all for one

Open the gates and seize the day
(Open the gates and seize the day)

Don't be afraid and don't delay
(Don't be afraid and don't delay)
Nothing can break us
No one can make us

Give our rights away

Neighbor to neighbor
Father to son
One for all
And all for one

I can't find anything on Wikipedia about this song, so I'll just share my own thoughts. 

I never liked Newsies all that much. I saw the movie once and I remember it being okay, but it didn't really grip me, either. At best, I'm "meh" about the whole thing. 

This was pretty much the only song I liked for real. I just wish it wasn't so short; the end is so abrupt that it almost gives me whiplash.

Wednesday, May 8, 2024

BMM 8 - The Good Old Days

Whenever I'm, from time to time, depressed
And a trauma wells and swells within my breast
I find some pride deep inside of me

As I fondly walk the lane of memory
 

I see Bonaparte, a mean one
If ever I've seen one
And Nero fiddlin' through that lovely blaze
Antoinette, dainty queen,
With her quaint guillotine
Ha-ha-ha-ha
Those were the good old days!
 

I see Indians a-draggin'
An empty covered wagon
When scalping the settlers was the latest craze
And that glorious morn
Jack the Ripper was born
Ha-ha-ha-ha

Those were the good old days!
 

I'd sit in my rocking chair
Peacefully rockin' there
Counting my blessings by the score
The rack was in fashion
The plagues were my passion

Each day held a new joy in store

Was anybody happy?

 I see cannibals a-munchin'
A missionary luncheon

The years may have flown but the memory stays

Like the hopes that were dashed
When the stock market crashed
Ha-ha-ha-ha
Those were the good old days! 

I'd walk a million miles or more
For some of the gore
Of those good...
Old...

Days!

I was so contented
When prisons were invented
And the ones with the gallows set my heart ablaze
I was burning with pride
The day Bonnie met Clyde

Ha-ha-ha-ha

Those were the good old days!
 

I doze by the fireside
Dreaming of cyanide
Never a worry or a care
And how can one measure
The infinite pleasure

Of dreaming of the electric chair?
Some people found it shocking!
Skip it! 

In any aisle I'd lay 'em
With arson and with mayhem
It's a hammy routine but it always plays
And my favorite encore
Was the Hundred Year War!

Ha-ha-ha-ha

Those were the good old days!

 I'd gladly sail the seven seas
For just one reprise
Of those good...
Old...

Days!
 

From Wikipedia: "Those Were The Good Old Days" is from the musical Damn Yankees. It's about Mr. Applegate (who is the Devil disguised as a salesman) recalling some historical events at its cruelest and worst.



My own thoughts: In my last semester of college, I attended my university's rendition of this musical for my theater class. We had to write a critique on it, and our grade depended more on thoroughness than anything else. A relatively simple assignment, but the professor had his way of knowing whether we actually did it.

By far, I found Mr. Applegate the most entertaining. While it was fairly obvious he was the Devil in disguise, the actor provided more than half the entertainment by himself, and it was no surprise that he received some of the most enthusiastic applause at the end. 

Tuesday, May 7, 2024

BMM 7 - Endless Night

Where has the starlight gone?
Dark is the day
How can I find my way home?
Home is an empty dream
Lost to the night
Father, I feel so alone 

You promised you'd be there
Whenever I needed you

Whenever I call your name

You're not anywhere

I'm trying to hold on
Just waiting to hear your voice
One word, just a word will do
To end this nightmare 

When will the dawning break
Oh, endless night

Sleepless I dream of the day

When you were by my side

Guiding my path

Father, I can't find the way
 

You promised you'd be there
Whenever I needed you
Whenever I call your name
You're not anywhere

I'm trying to hold on
Just waiting to hear your voice
One word, just a word will do
To end this nightmare

I know that the night must end
And that the sun will rise

And that the sun will rise
I know that the clouds must clear
And that the sun will shine
And that the sun will shine
 

And I know that the night must end
And that the sun will rise
And that the sun will rise
I know that the clouds must clear

And that the sun will shine

And that the sun will shine
 

I know
Yes, I know
The sun will rise
Yes, I know
I know
The clouds must clear

 I know that the night must end
I know that the sun will rise
And I'll hear your voice deep inside
I know that the night must end
And that the clouds must clear
 

The sun
The sun will rise
The sun

The sun will rise

From Wikipedia: "Endless Night" is a song written by Lebo M, Hans Zimmer, Julie Taymor, and Jay Rifkin. It premiered in 1997 as part of the musical The Lion King, a stage adaptation of Disney's 1994 animated feature film of the same name. Mark Mancina produced the song and arranged by Mark A. Brymer. Taymor wrote the lyrics based on the melody from "Lala", a song from the 1995 soundtrack album Rhythm of the Pride Lands. Jason Raize, who first performed the role of Simba for the Broadway production, first performed and recorded "Endless Night"; his version is included on the original cast recording. 

"Endless Night" is a ballad that lyrically deals with Simba grieving the death of his father Mufasa. The song includes vocals by a choir that encourages Simba to move forward. Reception to the song was mainly positive. Some commentators praised how it helped to develop Simba's character.

My own thoughts: The Lion King was never my favorite movie, but when I gave this song a try, I found myself liking it. 

It does a great job of showing how much Simba is still hurting from his father's loss, how the "Hakuna Matata" approach isn't really working, and it adds an extra layer of sadness to Mufasa's death. 

I can very easily hear a few of my own characters singing something like this.

Monday, May 6, 2024

BMM 6 - If I Were a Rich Man


Oh, dear Lord, you made many, many poor people
I realize, of course, it's no shame to be poor

But it's no great honor, either
So, what would have been so terrible
If I had a small fortune?
 
If I were a rich man,
Ya-ba-dibba-dibba-dibba-dibba-dibba-dibba-dum

All day long, I'd biddy-biddy-bum

If I were a wealthy man
I wouldn't have to work hard
Ya-ba-dibba-dibba-dibba-dibba-dibba-dibba-dum

If I were a biddy-biddy rich
Yidle-diddle-didle-didle man
 
I'd build a big, tall house with rooms by the dozen
Right in the middle of the town

A fine tin roof with real wooden floors below

There would be one long staircase just going up

And one even longer coming down

And one more leading nowhere, just for show
 
I'd fill my yard with chicks and turkeys and geese and ducks
For the town to see and hear

Squawking just as noisily as they can

And each loud of the "gee," be it "gow," be it "geh," be it "guh"

Would land like a trumpet on the ear

As if to say, "Here lives a wealthy man!"
 
Ahhh...
 
If I were a rich man,
Ya-ba-dibba-dibba-dibba-dibba-dibba-dibba-dum

All day long, I'd biddy-biddy-bum
If I were a wealthy man
I wouldn't have to work hard
Ya-ba-dibba-dibba-dibba-dibba-dibba-dibba-dum
If I were a biddy-biddy rich
Yidle-diddle-didle-didle man
 
I see my wife, my Golde, looking like a rich man's wife
With a proper double chin
Supervising meals to her heart's delight
I see her putting on airs and strutting like a peacock
Oh, what a happy mood she's in
!
Screaming at the servants day and night
 
The most important men in town would come to fawn on me
They would ask me to advise them
Like a Solomon the Wise

"If you please, Reb Tevye!"

"Pardon me, Reb Tevye!"
Posing problems that would cross a rabbi's eyes
And it won't make one bit of difference
If I answer right or wrong
When you're rich, they think you really know
 
If I were rich, I'd have the time that I lack
To sit in the synagogue and pray

And maybe have a seat by the Eastern wall

And I'd discuss the holy books with the learned men
Several hours every day

And that would be the sweetest thing of all
 
Ahhh...
 
If I were a rich man,
Ya-ba-dibba-dibba-dibba-dibba-dibba-dibba-dum
All day long, I'd biddy-biddy-bum
If I were a wealthy man
I wouldn't have to work hard
Ya-ba-dibba-dibba-dibba-dibba-dibba-dibba-dum
 
God, who made the lion and the lamb,
You decreed I should be what I am

Would it spoil some vast eternal plan
If I were a wealthy man?
 
 
From Wikipedia: "If I Were a Rich Man" is a show tune from the 1964 musical Fiddler on the Roof. It was written by Sheldon Harnick and Jerry Bock. The song is performed by Tevye, the main character in the musical, and reflects his aspirational dreams.
 
Through the first two verses, Tevye dreams of the material comforts that wealth would bring him. He describes the enormous house he would buy and the needless luxuries he would fill it with, including a third staircase "leading nowhere, just for show," and then the poultry he would buy to fill his yard. In the third verse, Tevye switches his attention to the luxuries in which he would shower his wife, Golde.
 
In the bridge, Tevye contemplates the esteem that wealth would bring him, with important men seeking his advice. In the final verse, Tevye considers how wealth would allow him to spend less time working and more time praying and studying the Torah. He ends the song by asking God if it would "spoil some vast eternal plan" if he were wealthy.
 
A repeated phrase throughout the song, "all day long I'd bidi-bidi-bum," is often misunderstood to refer to Tevye's desire not to have to work. However, in an interview with Terry Gross, Sheldon Harnick said he basically made up syllables that he thought would give the effect of Chassidic chanting. The first person to play Tevye, Zero Mostel, then replaced the syllables Harnick had written with ones that Mostel thought would be more authentic.
 

My own thoughts: This is definitely my most favorite song from the musical, and no doubt it applies to all of us at one point or another. We wonder what it might be like if we were fabulously wealthy, even as we're aware of that phrase, "Money can't buy happiness."
 
I don't ever expect to be fabulously wealthy, though it would be nice to not have to work so hard to make a decent living, especially these days. At the very least, I have a steady job with a reliable income. I also do my best to be frugal, paying only for what I really need and then splurging within reason here and there.
 

I still feel the sting of my financial loss with FanX. That was a pretty bad investment, although I think I did okay for someone who was doing this for the very first time all on their own.
 
On a side note, I really like how this one turned out. I think it's my most favorite so far. 
 

Sunday, May 5, 2024

BMM 5 - Oh, What a Beautiful Mornin'

There's a bright golden haze on the meadow
There's a bright golden haze on the meadow

The corn is as high as a elephant's eye

An' it looks like it's climbin' clear up to the sky

Oh, what a beautiful mornin'
Oh, what a beautiful day

I got a beautiful feelin'

Ev'rythin's goin' my way

All the cattle are standin' like statues
All the cattle are standin' like statues
They don't turn their heads as they see me ride by
But a little brown mav'rick is winkin' her eye

Oh, what a beautiful mornin'
Oh, what a beautiful day
I got a beautiful feelin'
Ev'rythin's goin' my way

All the sounds of the earth are like music
All the sounds of the earth are like music
The breeze is so busy it don't miss a tree
And a ol' weepin' willer is laughin' at me

Oh, what a beautiful mornin'
Oh, what a beautiful day

I got a beautiful feelin'

Ev'rythin's goin' my way

Oh, what a beautiful day... 

From Wikipedia: "Oh, What a Beautiful Mornin'" is the opening song from the musical Oklahoma!, which premiered on Broadway in 1943. It was written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The leading male character in Oklahoma!, Curly McLain, sings the song at the beginning of the first scene of the musical.

This was the first song of Rodgers and Hammerstein's musical collaboration to be heard by theater audiences. It has become one of their most famous numbers and "quickly became one of the most popular American songs to emerge from the wartime era, gaining currency away from Broadway first on the radio and recordings, and then later on numerous television variety shows." Brooks Atkinson, reviewing the original production in The New York Times, wrote that the number changed the history of musical theater: "After a verse like that, sung to a buoyant melody, the banalities of the old musical stage became intolerable."


My own thoughts: While my family has always loved Oklahoma!, I have not. Unlike Les Mis, I get bored pretty quick and I find most of the characters, especially the main characters, rather idiotic.

Of course, I make a big exception for this song. It's one of those nice feel-good songs that really help to perk up your mood.

And it makes for an easy and fun illustration, too.

Saturday, May 4, 2024

Lucas's Baptism

Today was the day my youngest nephew, Lucas, got baptized. I was lucky to get this day off; it's a rarity I ask for time off at all, and I made sure to give my boss plenty of notice, though a temporary mistake was made with the schedule and corrected almost at the last minute. I was just beginning to worry.

It was a very short and simple but very nice event. Lucas is such a sweet, adorable kid. Sadly, he's the only grandchild who didn't get to meet Pop-Pop (he was born the year after Dad died) but I know for sure Dad wouldn't have missed this for the world. 










BMM 4 - Bring Him Home

God on High,
Hear my prayer

In my need,
You have always been there 

He is young
He's afraid

Let him rest

Heaven blessed
 

Bring him home
Bring him home

Bring him home

He's like the son I might have known
If God had granted me a son
The summers die
One by one
How soon they fly
On and on
And I am old

And will be gone

Bring him peace
Bring him joy

He is young
He is only a boy

You can take
You can give

Let him be

Let him live
 

If I die,
Let me die
Let him live
Bring him home
Bring him home
...
 

From Wikipedia: "Bring Him Home" is an emotional ballad sung by Jean Valjean about Marius at the barricade. Valjean begs God to save and return Marius to Cosette, even if he must sacrifice his own life for Marius's safety.

In a documentary on the Blu-ray of the film adaptation, Claude-Michel Schönberg revealed that the song was written specifically for Colm Wilkinson.

My own thoughts: I love this song, and the version sung by Susan Boyle is my most favorite.


This song is the best fit for Beowulf and Reid. Beowulf has always had a soft spot for children, enough to where he wouldn't hurt them if he didn't have to. He used to dream of becoming a father, a dream that was destroyed forever after he became a werewolf and the rest of his family perished. Werewolves can't produce offspring and Beowulf would never do it even if it were possible.

Even so, he's always kept a special eye on children, looking out for them, defending them when necessary, he's less inclined to show mercy to a victim who would harm a child, and the death of a child breaks his heart the most.

When Reid came along, he heard plenty of scary stories about Beowulf, and he was plenty scared when he actually met the old werewolf face to face. The first few times, he ran away in terror, and then one night, he got lost in the woods (thanks to one of Tyrell's many mean-spirited pranks) and it was none other than Beowulf who found him.

It was just the two of them in the moonlit woods, Beowulf had the perfect opportunity to do whatever he liked, but he consciously refrained from hurting the boy (though he did scold him a little) and brought him safely back to the castle. When it looked like Tyrell would get off scot-free for what he did to his little brother, Beowulf took it upon himself to give Tyrell a good scare, and then he kept watch over Reid (who was sleeping peacefully) for the rest of the night.

Even at his young age, Reid realized Beowulf couldn't be all bad and maybe, just maybe, he needed a friend, too. So, he started visiting Beowulf's cave, offering to play with him and bringing him nice things to eat. He was very cautious, of course, and Beowulf was like a well-seasoned guard dog that had almost forgotten how good it felt to be patted on the head, scratched behind the ears, fed treats, and talked to in a pleasant voice.

Realizing that Reid was genuinely afraid of him while refusing to run away from him like all the others, something inside the ancient beast began to soften.

It wasn't until a few years later that their bond was set in stone.

Tyrell was ready to beat Reid up in the garden, since everyone else was occupied with one of the many royal parties, so there was no way Reid could call for help and no one would have been able to reach him in time.

As it turned out, the two princes weren't entirely alone. Beowulf himself emerged from the shadows and became the one to threaten Tyrell. "Take your hands off that boy this instant. Get away from him and stay away if you know what's good for you."

Beowulf then took it a step further by threatening to hurt Tyrell twice as much as Tyrell hurt Reid in the future. "For every bruise he gets from you, you'll get a scar from me. I'll maim you to the point where your own mother won't recognize you, no girl will come anywhere near you, and all who look upon you will immediately run away screaming. Try me if you think I'm bluffing, boy."

Tyrell, being the dirty coward that he was, didn't hesitate to run away like a terrified rabbit.

Then Beowulf made doubly sure Reid was all right and reassured him that his brother would have gotten no more than a few mild scratches. For the most part, the old beast just wanted to scare Tyrell, and Tyrell always could dish out heaps more than he could take. Besides, everyone knew that Beowulf usually had excellent reason for going after someone and that he often granted fair warning first. Most of his victims were those that pushed their luck with him a little too far.

After that, Reid and Beowulf could officially say they liked each other, even loved each other. They visited each other whenever they could, they shared many lengthy heart-to-heart talks, Beowulf could tell Reid anything he wanted to know about his family and kingdom's history, and Reid could confide in Beowulf about the things that he couldn't confide quite as well in anyone else, including his aunt and uncle and the Windwillows. Beowulf was always a fantastic listener and usually had a sound piece of advice; even if the situation was far from resolved, Reid at least felt better for getting it off his chest, for having someone who truly understood and cared.

Sometimes they swam together, if the weather was nice enough for Reid to take an outdoor dip. Reid even started to give Beowulf simple but heartfelt gifts at Christmas and other holidays, while Beowulf started using "my boy" and "son" on a regular basis.

When Reid had a few children of his own, Beowulf was as overjoyed as anyone else would be about a grandchild or great-grandchild.

Sadly, Beowulf's old age finally caught up with him and he passed away, although it was no accident that Reid was the last person he spoke to as well as the one in his final thoughts. For all the hell Beowulf went through, Reid made his final years that much sweeter. Reid was that small but meaningful light in a world of solid darkness, and knowing his surrogate son would be all right gave Beowulf the motivation to let go at long last.

So, yeah, this song is an impeccable fit.

Northridge High Reunion - 20 Years

Today was the 20-year reunion of my high school class, Northridge High. This year, the event was held at Timbermine Steakhouse in Ogden, the...